‘Phynics Forever Rising’ (back cover blurb)

For my just complete 65,000 word non fiction memoir... nit picks are very welcome!

1994, Toronto. Clark apprenticed in film with a man that owned an expensive black Mercedes Benz driven by a personal bodyguard, had a luxury condominium with Harrods of London items, and introduced himself as Dodi Fayed. Yet he was not what he appeared to be. Unable to resist a cryptic puzzle requiring investigation, Clark discovered a faint trail of breadcrumbs leading to Dodi’s soon accident in the Alma tunnel of 1997 pointing to Lady Diana possibly having been placed into forcible exile. The path hit an end until a CIA agent’s online presentation attempting to solve the Kryptos statue of the CIA’s headquarters, mentioned Clark personally. Could it be a message from Dodi of a crypt for people that are so high level they are effectively now ‘dead to the world, and perhaps, were he and Diana within it?’

In coming to know why Dodi selected Clark to survive this impossible task of investigation you will discover her life’s work conceived as a genius youth prodigy with a rumored IQ of 180 prior and being placed within a ten year Academy for the Gifted. Through her theory that E.S.P. is a function of time and ‘forememory’ you will attain secrets to inspire you to consider whether you have dormant abilities to know the future, have impossible reflexes, or to read minds; and to redefine your perceptions of the future of humanity, time, life, and death themselves.

What many above the line movie producers know of Clark is that she is the real mccoy that seeks to solve a mystery within film that appears to have claimed the lives of numerous public figures of the entertainment business and politics. As Clark worked on U.S. studio sets from 2006 to 2018, ‘Phynics Forever Rising’ is a unique ‘journey leaving the looking glass’ project of her life that art imitates, that life again imitates. Many filmic 'easter eggs’ and movie magic moments will realize further within her literary series of sets including: Dreamworks, Twentieth Century FOX, Warner Brothers, NBC/Universal, Netflix, HBO, Disney, and Columbia Pictures. Thereby release dates of productions as Disney’s newly acquired ‘Dark Phoenix’ saga (Dec. 2018), and Disney’s Star Wars ‘Solo’ movie with Emilia Clarke (May 2018) are examples of the type of productions that ought to be considered in the context of, and aside the release date of this book.

Clark graduated University with a film BAA and became a professional screenplay analyst in movie pre-production for Alliance Atlantis and the FUND, while writing and directing as owner of TorontoMedia. Completing several feature screenplays as 'Count Down’, ‘The Umpire’, and ‘Beladi’, with interest from the world’s top agents, Clark continued her learning curve and became a Director’s Guild crew member behind the camera on the major US movie studio sets for over a decade. She is now moving into the literary world to tell this important story.

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