the bipolarity of grass
summer
the hills
they swell
with pride
painted green
by their
enthusiasm
for summer.
kids climb
with the
temperature
to the tops
of the hills
and stand there
to revel in
their conquest.
and scorching
sun turns the
tips of their blades
to a brown crust
and the hills
in their violence
send children
tumbling down
the sides,
a misdirected
revenge,
because the earth
cannot punish
the sky,
so instead it
lashes out at
young faces
pink with sun.
they share
the same enemy
and yet
their quest
for vengeance
is always just
a little too high
for them to grasp.
for grass
cannot grow
to the clouds.
it is cut down
by lawnmowers
run by neighbors
who protest that
things have gotten
out of hand.
and children
cannot reach
for the sky
and pull it down
because as they
get older
their parents
inform them
that they should
seek something
more grounded.
like a lawyer
or a doctor
or maybe just
work at that
fast food joint
down the road.
nice and close
to home.
and very far away
from the
great and dangerous
sky.
winter
the hills
they sink
deep into the earth
shrinking away
from the sunlight,
pits of shade
that accompany
every manic high.
and when the
temperature drops,
and winter
casts its breath
across the hills
and snow collects
in piles
freezing over
the lows.
and children
send their sleds
like rockets
over snowbanks
screaming as
they go down
with glee.
and the hills,
in their jealousy,
send children
tumbling down
their sides,
left to clutch
their ankles
and wail
for a parent
that never comes.
for the hills
are too vast,
an echo chamber
of muted sobs.
the children's cries
match their own.
and the children
themselves
must be sent
to learn independence,
as they wobble,
leaned against their sled
towards home.
spring
the hills
they shrink
collapsing under
the weight
of rain,
spring thunderstorms
beckoned by
the changing
of the seasons,
torrential downpours
that send mud
cascading down
the sides of the hills.
maybe
they were once
mountains,
before the rain
eroded
their identity
and replaced it
with something
smaller and
easier to manage.
and the children
they splash,
feet leaving scars,
and the hills,
in their retaliation,
send children
tumbling down
their sides,
slipping on
patches of mud
until their faces
are smeared
with grime and tears
and their shirts
are stained
so deeply brown
that they will have to be
tossed away.
for the hills
are made of waste
and they desire
to create more.
and the children
are wrapped
in excess,
trusting their parents
to provide,
and destroying
the rest
without mercy.
autumn
the hills
they roll
tossed and turned
between hot and cold
a constant adjustment
to their newest
mood.
buried under
the blanket
of leaves
the hills
can finally
sleep,
shut their eyes
and rest
and the children
they scatter
the leaves,
building their
piles and crashing
until the hills
wake up
beneath them.
and the hills,
in their exhaustion,
send children
tumbling down
their sides,
faces bruised by
the first touches of frost
and sticks
loosened from their
branches
by the ceaseless passage
of time.
but the children
do not change
because the children
do not need to change.
they are stagnant,
comfortable in
their youth
until that youth
begins to be
stripped away.
for the hills
cannot change,
even as they regret,
because mother nature
doesn't have a degree
in psychology
and the hills
have no lithium
to treat
their ceaseless
disorder.
and so the children
continue to fall
and the hills
continue to roll,
caught in the
endless shift
of seasons
and intent on
sharing
their misery
with the world
in the only way
they know how:
violence.