§9. (from .a mine of gleaming beetles.)
my parents
did clerical work
my father one of church and state
my mother
one who did both versions of what that could mean
of pertaining to appropriate
for or assigned to an office clerk
for which she played a law firm
of relating to or characteristic of
the clergy or a member therein
for which she played answerer and planner of sorts & wife
my father
a company man
often times to a fault
until i was taken seriously and at
l(e)ast heard about it
despite what may have been told to you
what you may have believed for years
even what you may have stumbled across in this book
often isn’t what it appears to be
the plush of a thread count
and the chill of fingers
promising a time they’ll return
to enjoy it with you
the smallness of a foot’s graze
the warmth of coffee-nestled breath
they often are not what they appear to be
and may only perhaps be understood
in short brief passing encounters
surfaced: a video of less than reputable sources finding their friend transfixed on a less
than reputable road
when the feet started running
there was something shaky
about the camera. some
thing almost artificial
added on the same
wobbly artifice that was in the footage
of the bear you’d seen but hadn’t quite yet taken the time to edit
somehow
the phrase i tried to do too much
was always a terrible disclaimer
in value of the specific
the precise
the most unrealistic version of things
that there ever was
and that there ever would be
no soul but lies here
in the fate of a newly
found verse
and objects
the kind to scrape things with
hair-nestled nail gave off
a description much harsher colder
than what had originally spawned the words
that means to say that means to say that confusion many despite source primary
perhaps a kind gentleman inside glass could be variation enough to avoid copyright infringement
have i made it obvious yet
no of course not
it was originally thought of as a moment of dire but
tepid embrace
one stumbled upon
never looked for
never complained when finding
startling
(a) fortepiano
in the sense of dynamic
as well as instrument
loud then soft
(c)old then warm
a fortnight
in the sense of
misspelled game
as well as a long period
(they left it there longer than they needed to
they left it there longer than they needed to on purpose)
for a while
i was into
completing portraits
and making things seem like they did
(only to me)
but in a way that sounded like someone else had seen
the exact same thing and had taken it upon themselves to write it
a long time ago
i had been nervous
about finding what was in there
what was locked in the chutes of nerve ladders
kept in my head
and now
writing
this
i find that what’s more terrifying
is leaving them in there untouched
unaroused and untickled by a nib
for example
what would become of the man
transfixed on that road
and how would that string
in this whole mess
of them ever get
plucked or
wound
if it
was
not
at
some point talked about
at least just a little
at some point
a night imposter
of thousand time small comparisons
became windows of the third estate
who hopes to clean them
what would become of his friends
his less than reputable friends
who were holding shaky
cameras and not
admitting
their true
intentions
i don’t personally think
the count of views made up for destroying what they did
and even if it was just an act
i don’t personally think
the count of views made up for destroying what they did
you got a lot of suitcases and rules
they were lipstick on pigs
do you know who i am (apparently)
someone with a lot of suitcases
the fingers returned
later than they said they would
and you loved them more than willingly
let them come in anyway and leave themselves
and their marks on the place to which their tardiness
never really knew an end or beginning to think that there was
a time in which those were fingers were beside you and in places you
didn’t have time to explain or make sound like anything less than what it sounded like
and in many regards you’d lost those fingers
to time and effort and custom and acquaintance
and you watched those fingers hold the pig’s lipstick
and you would comment on how they were the fingers of
a cop and that you knew they weren’t really a cop’s but that it
always seemed that way and that that was the struggle you’d found
yourself having with their fingers and why you raised your voice talking to them