14 years later (or Studio apartment,1999.)
my dog sleeps upon another
mattress
the same music pours on and on
the same dynamics
1:52 a.m.
naked below the waist
behind this table
scar across my left finger
has sealed the gap
to a kind
of fissure
my skin pale from lack of daylight
money burning fast
hair combed back neatly
a class act all the way
outside I can hear the bar
downstairs filling with college kids
and I don’t feel bad for skipping college
or
the last half of high school
now, 14 years later from those classrooms
those kids down there could buy and sell me
within seconds
but I have a nice television
and a modern stereo
some pages published
out of Reseda
and a lust for failure
unsurpassed
by anybody.
Tapping the source.
I kept tapping the surface, then the sheet of ice cracked into a spider’s web traveling forth and prostrating toward the sun-smeared white expanse, driving the cracks into the feet of the chromoly sky until the cracking sounds gave way to the warm water beneath the sheet, and I dove on in.
Piece by piece.
I woke up at 2 a.m. for no reason except nerves. I read, writhed, pondered weird pains in my body. I watched the windows of the door, each screw making their rounds, peeking in, watching my body waste here with a pulse. A deputy walked by, ducked down and slid some postcards under my door. I’d finally started fading when I saw the blur of him stop outside the door and send the mail through. I reached for my glasses and looked at the postcards. My sister had gone to a store somewhere and had two postcards made, one with Angel and one with Diablo. Angel was on her back looking up at me, her little paws curled into her chest, her smile. The other was Diablo, in the back seat of the van, both of the photos were from my facebook page. Seeing Angel made me stand from the bed, my bare feet on the cold floor in my boxers, in the cold of this place. I stepped over to the wall and pressed my back against it, let the cold punish me for not being there when she died. I slid down to the concrete and stared at the photo. I ran my finger down her blaze, adorable and white, running down her forehead and snout, her eyes so loving. “Angel.” Tears hit the card. I held it and cried, then I sobbed. I grabbed the one of Diablo from the slab. I flipped them over. She wrote that she thought I could use some friendly faces to keep me company. I set their faces on the floor in front of me. I hadn’t seen their faces in months. I’d never see Angel again. And I knew I’d never see Diablo again, I sensed it. I looked at his eyes, one blue, one half blue, his short fur I could never escape, his movie star smile. I kissed the postcards and held them over my heart. I sat there and bawled. I wanted to scream but I couldn’t, I couldn’t give this place my rage, I wouldn’t let the hacks know I was in pain. I stared at the postcards here, in a jail cell, my bare back frozen against the wall, my heart dead in the eyes of my little girl, dead in the memory of Diablo. I sat here and cried until I was out of tears, and I had to stuff the postcards into my legal mail so I wouldn’t look at them. I dressed and sat on the edge of the slab without blinking. The screws walked by and I sat here, I sat here and I wanted to bring death to so many people.
I watched the cell become brightened at 5 a.m. A stark brightness, a dead brightness that is nothing short of sterilizing. I watched the zombies walk by the door for meds and razors and breakfast, and at 9 a.m. I was sitting in the day room watching the outside and it was bad today, more than depressing, Helena, much more. Four guys sat at the table to my left talking about Camaros, a Chevelle one of them had and lost, a ’66. Outside nine jumpsuits walked the concrete, Mexicans in threes twice, Mexicans in twos and one speed freak. I went back to the cell and stayed here all day and night. I couldn’t eat, I couldn’t sleep, I couldn’t do anything but think about what used to be.
5 dollar bill
If it can make you stronger
it can kill you
personally, I like
the sentiment
but respectfully disagree
Sunday in the diner
walking in, a homeless guy
hits me and my buddy
up for
one dollar
to get a dollar burger
my buddy waits by the door
and I think about it
the homeless guy mentions
something about showing me
some kind of homeless card
or crazy card he has
and I pull a five-spot from
my wallet
he snatches it:
"Thanks, man. You're badass."
He walks off and I follow
my buddy inside and he looks at
me and smiles
I scratch my protruding gut:
"Tell me something I don't know, motherfucker."
We laugh and get our booth
order and eat while I watch
more homeless out
the window
peppering the outside
full with the scrubbed-clean
after-worship crowd
as they begin to pile in
for breakfast
I think about them
clean like soap
every Sunday
the industry of Christ
if we want to truly
help the homeless
and kill the national
deficit, provide true
and humanely
accessible health care,
and all the etceteras
that follow these,
tax the churches
but I take my thoughts
of these dead horse thoughts
of all this
and watch the sunlight
battle through
a bright grey sky
and the coffee
begins its coursing
while I remember all
the love and hate
and platitudes and
erase them from my
mind at once
and realize that because or
in spite of
everything around me
I am happy
and think back to my favorite
Nietzsche quote:
The Trouble With Happiness
"Now everything I touch turns out to be wonderful. Now I love any fate which comes my way. Who feels like being my fate?"
Glory
Johnny rode into the city every day with his mother, where she dropped him off for exactly two hours. Johnny liked his mother. Johnny’s father had left them when Johnny was seven. His father left because Johnny’s mother cheated on him with a younger man. Johnny was sixteen now, and he lived with his mother in Pacifica, because his mother had married a rich man. She wasn’t attracted to Ken, but he loved her intensely. They had been in Pacifica since Johnny was twelve, but it was a month ago when he started riding into San Francisco every day with his mother. Johnny had a problem with stealing. He stole almost everything he could and sold it at school. He stole Ken’s watches, his new shoes, money clips and rings. Ken was eighteen years older than Johnny’s mother, a beautiful blonde with the face and body of a woman half her age, and it had Ken trapped. They pulled Johnny out of the system for home school, which really meant he was done with school. Jenny wasn’t a teacher. She wasn’t much of anything. She was restless in her marriage after trying to play it straight for three years. Johnny knew she had a guy downtown, but he didn’t care much about Ken. Ken was an old man screwing his mother, plain and simple.
Jenny would drop her son off at the wharf with forty dollars. She would pick him up at the same place in two hours, because she said to be there. And like clockwork she was there, Monday through Friday. Weekends were spent taking long drives or flights with Ken in his small plane. Johnny understood why his mother stayed with Ken, but he was apathetic, even while flying above the grids of trees, precipices and jade green fields of California’s coastline. He didn’t care. And Ken was pissed because when Johnny quit school the stealing stopped, and he was convinced that Johnny wasn’t a troubled teenager, that he was nothing but a fucking little con-artist. But there was Johnny’s mother, vibrant and gorgeous. And Ken knew that even the birds in the sky wanted to fuck her, and that he was lucky to have her, even if she had no true feelings for him. He’d already been down that road with his ex-wife after thirty years of agonizing bullshit and arguing. Johnny’s mother was a nymphomaniac, it was no secret. Ken reaped the rewards of it. He knew he wasn’t her dream guy or anything, but he would never do any better and he was smart in that regard, and knowing this only made Johnny care less about him. Not that Johnny mattered.
But what mattered to Johnny was Chinatown, and the glory hole in Chinatown. He’d made his way there out of boredom with the tourists in the wharf, with the boring food and the fucking sea lions. And walking down a street in Chinatown, a dirty old man had talked him into stepping inside, into giving him twenty dollars for a woman to wrap her lips and tongue around Johnny’s sex through the other side of a hole in the wall. Johnny could hear the women moaning and sucking him. The only rule being he couldn’t seek contact with the woman on the other side, which was fine with Johnny, because it was a way for him to remain unabashed on his own, though it became an addiction for him. He learned the schedules of the women, and sometimes he would go back in half an hour and spend his other twenty. The old pimp started calling him Johnny Rocket, because his favorite glory hole woman had told the pimp that Johnny’s cock was tall and red and perfect, but Johnny took it as a nickname because of his speed in getting to the spot from his drop-off point, and it never occurred to him that the pimp had no idea where he came from.
What Johnny couldn’t do was come up with a reason for his mother to drop him off closer to Chinatown, so he told her that he had met up with some friends from the old neighborhood on Fillmore, and that they’d been meeting up there every day and walked the streets and talked to girls. Jenny bought his story, and dropped him off there while she continued on her way, sometimes giving in to him and handing over an extra twenty of Ken’s money. And there Johnny walked Chinatown waiting for his time slot with his favorite girl, who sucked him dry with her mouth and hand, whose teeth he never felt once, who got him so hot he would masturbate at night to her, sometimes three or four times before he went to sleep. In his heart he felt she was a black girl, because he had seen her walking from the back of the building once after he’d been there, and the feeling was undeniable, but in his mind the woman had long red curls and electric pink lips, and he would kiss her while she touched him, then she would turn around and press him into her, before she appeared on the other side of the wall to finish him off in her throat.
Weekends were torture for him. His mother was more collected about it, because she had Ken to tie her over. Ken sensed that Jenny had something going on the side, but never mentioned it. The truth for Ken was already real enough, and his love for a woman who didn’t love him back was the ceiling for his reality. Johnny knew his mother’s type, the lost artist. The young painter, sculptor, the singer or the writer, and most of them had been in and out of his life for the five years after his father left. They moved in for a month, drained the bills and the fridge and his mother’s pocket, didn’t work a real job, took up the living space with canvasses or instruments or typewriters, while Jenny either tended bar or answered phones, or both. But Jenny needed Ken, and Johnny needed her. But Jenny also needed other men to keep herself floating mentally. Johnny had heard her tell his aunt over the phone that Ken was a great lay, but never turned her dial all the way around, and Johnny understood it.
Monday came again and again Johnny was there with his twenty ready for the pimp, who took Johnny’s money and opened the door for him. The pimp looked in and told Johnny he had to walk up the street, because the pimp had grown to trust Johnny, and his favorite lady had become used to him, and had even missed him on a certain level. The light flipped on next door and he heard her purse hit the floor. The pimp was gone now, there was no door cracked, nobody to be just outside to look in on him if they chose to. He saw the light from the bare bulb come in from the hole at his waist. He felt her turn to lock the door on her side. He dropped to his knees there. He got an eyeful of her from back to front, from face to feet, and he heard the pimp unlock the door. Johnny stood straight and stared at the wall in front of him, his cock through the hole, his eyes closed and his brow filled with sweat, him harder than ever down there, as Jenny worked her mouth, tongue and hand over and around the hard, young sex she had become addicted to since before her first husband.
...with his eyes once a shining sea
pedaling the streets of
California
head full of draining
garbage, of waste
looking around, seeing what's waiting
feeling ready to either
embrace what's left with resignation or to
embrace it with what I know is right to
be true
as it is with the words
with how we clean our teeth or
suffer the damages
out there pedaling
four cups of caffeine
going toe to toe with
the head cold
pouring sweat toward
a hill
thinking of summer waiting to the north
while a band from there
plays on in my headphones
while I crank past two bums
on the grass and ride off the curb
toward the hill and I think about
how we destroy what we love
not with action but with inaction
I shift into the lowest gear
to punish my cold
while the sweat pours out
and the guitars thunder
beautifully around the
stanza:
Augustino
With his eyes once a shining sea
I said he's half a shadow, god don't
let that be me...
up the hill
suppress the cough
the anger
level out and breathe
watch the leaves and sun
and remember that
we are here
for just so long
and the time
we have
might be nothing
in the big picture of
things
but for me
it's all I know
and what stems from that
is a fist of years grown
into miles and stories
and novels
a fist of colored fingers
with branches confused
and leaves stained
with decision
both bad and good
the base
planted in blood
and poems.
Hobos and dirty water.
Riding through
Sacramento
toward the old part
of downtown
through the marina
just over the tracks
the homeless fish for
fuck knows what
kind of sewer-raised fish
in that water
my buddy is on his
beach cruiser and
I glance back
at him
while we pass along the water
old tents scattered
lives scattered
from meth
or methods against
law or society or
another person
or maybe the one who
is trying to make eye contact
with me is just an old fashioned
junkie dead to his dreams
and alive to his fear
I keep pedaling
and remember the good
things
the warm, salt water
of Puget Sound
the taste of good
wine and the sound
of warm waves
beneath the summer
of home
and above the
circles of whales
of seals surfacing
to bark
of crabs walking
along the sandbar
by the jetty
while my hands meet the water
from the dive
with the white
jelly fish safely
around the shore
of Alki, floating between
the city and the West Side
the water fronting
the buildings and
shores and islands
like
a
spectrum almost
mysterious to me
while we ride past the
marina and
into the beauty of
Old Town Sacramento
the city has a pulse
a vibrancy
a mix of every place
in California, when I
really stop to
think about it.
We sit and slam coffee
while I watch the
people
and think about
the shores
of summer
-burning alive after
the rain, the water
awake and stretching
for dusk
the waves rolling
across to meet
our feet
-warm, sun-soaked
and
waiting.
Old manu: p. 54, last indent note: “Keep 1-4 stacked.”
1
bloody mary and burger and pen
careless on a friday afternoon
candle, menu, page and ink
out the window and lifeless in dust
rot the hours and uniform, the burning
of waste and heart and index.
the hot shame and flames and fire
burning and
twisting
and
screaming
I raise the drink to my stupid mouth
while across the ocean
a lion mounts his female.
2
my dog sunbathes in the
tall grass of my backyard
he has one blue eye, which is electric
and see through, and he has a partial
blue eye, so I called him Chico.
Not very writerly of me. I guess I
could have called him Capote,
or Mailer, come to think
of it. He's a macho one, but also feminine
on a few levels. I think if Mailer and Capote
fucked, though, Mailer
would have been on bottom.
Not for loss of control,
but for total control.
3
I don't know you anymore,
but I will call you Alexandra
I will hold your body without
weight or breath or bother when
the branches break in the northern wind,
while death dangles ugly
while the warfare harvests its dead, its
brown leaves
while the sorrow usurps loneliness
I will call you Alexandra
for no other reason than you are nameless
and I am alone and destroyed
but maybe
I will call you Alexandria because
in a novel you were sweat upon
and shot upon in the back of an
old green van
I would call you Bronte or Joyce,
but you are far too beautiful
for them.
I will call you mine, here, for no
other reason than you can't exist.
4
sunday 5:45 p.m.
burning, dragging, a break in the blinds
shows the breath of Gauguin
with the metal grip of
Geiger, but not the taste
of ash or fire.
liquid screams pour
onward
leaking and
burning
and
dragging poor Gauguin
away from Tahiti
and through
the ages.